1967 Fender Jazz Bass

The 1967 Jazz Bass — Fender's versatile two-pickup bass with the narrow neck that players love.

Current Market Value

Excellent
$5,600$8,000
Very Good
$3,200$5,600
Good
$1,600$3,200
Fair
$800$1,600

* Prices are estimates based on recent market data. Actual value depends on originality, condition, and provenance. Pricing methodology

Thinking About Selling Your 1967 Fender Jazz Bass?

We buy directly from owners — no auction fees, no waiting. Get a fair offer based on current market data.

Get a Free Quote

Specifications

Body WoodAlder (offset body)
Neck WoodMaple
FingerboardBrazilian Rosewood (veneer)
Scale Length34.000"
Frets20
Pickup ConfigSS
BridgeJazz Bass bridge (four saddles)
TunersF-stamped bass tuners
Finish OptionsSunburst, Custom colors
Est. Production6,000

Pickups & Electronics

Two offset single-coil pickups. Independent volume controls. Narrow 1.5-inch nut width.

What Changed in 1967

CBS-era J-Bass. Jaco Pastorius era approaching.

Collector's Notes

CBS-era J-Basses offer excellent value. Block-inlay bound-neck versions have their own following.

How to Authenticate a 1967 Fender Jazz Bass

The 1967 Jazz Bass is a CBS-era model. F-stamped bass tuners. The Jazz Bass received bound necks with block inlays on some models — a distinctive CBS-era feature. Brazilian rosewood transitioned to Indian rosewood during this period. The narrow nut width and offset body continue unchanged. Serial numbers on the neck plate with F prefix (six digits). For 1967, numbers should match documented CBS-era ranges. Neck date stamps (now often ink-stamped rather than penciled) on the heel remain important. Potentiometer date codes (typically CTS or Stackpole pots with EIA source codes and date stamps like '304-6' + last two digits of year + week number) help verify the production date. F-stamped bass tuners. Pot codes corresponding to 1967. Two offset single-coil pickups. Serial number on neck plate. Check for bound neck with block inlays (appeared on some models). Check rosewood type — Brazilian through approximately 1966-1967, Indian after. Four-saddle bridge. Three-knob control plate. The finish should be nitrocellulose lacquer. Nitro finishes check (develop fine cracks) and wear naturally over decades, showing wood underneath at contact points. The aging pattern should be consistent — even checking across the body, not localized. Refinished guitars often have a 'too perfect' look or inconsistent wear. Under UV/blacklight, original nitro fluoresces differently than modern polyester or polyurethane. Original custom color finishes are verified by examining the color in the pickup cavities and under the pickguard where it has been protected from light. Block-inlay bound-neck Jazz Basses are a specific collector category. Verify the binding and inlays are original (not aftermarket additions). Check for replaced pickups (extremely common). The narrow neck is susceptible to damage — inspect for cracks, especially at the headstock. Replaced bridges and tuners are common modifications. CBS-era Jazz Basses share similar core specifications. Key features: F-stamped tuners, possible bound neck with block inlays, Brazilian-to-Indian rosewood transition. The 1967 differs from adjacent years in minor production details and rosewood transition timing.