1950 Fender Telecaster

The first Telecaster — the guitar that invented the concept of the modern solid-body electric. 'Broadcaster,' 'No-caster,' and early 'Telecaster' labels from 1950 are among the rarest and most historically significant electric guitars ever made.

Current Market Value

Excellent
$100,000$200,000
Very Good
$65,000$100,000
Good
$40,000$65,000
Fair
$20,000$40,000

* Prices are estimates based on recent market data. Actual value depends on originality, condition, and provenance. Pricing methodology

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Specifications

Body WoodAsh (single-piece or two-piece blonde finish) — originally called 'Broadcaster'
Neck WoodMaple (one-piece)
FingerboardMaple (integral)
Scale Length25.500"
Frets21
Pickup ConfigSS
BridgeStamped steel bridge/pickup cover (3 brass barrel saddles)
TunersKluson Deluxe single-line
Finish OptionsBlonde (natural ash)
Est. Production350

Pickups & Electronics

Two single-coil pickups — the original Telecaster design. Neck pickup with metal cover, bridge pickup with visible polepieces in chrome bridge plate.

What Changed in 1950

First year of what would become the Telecaster — initially called the 'Broadcaster' (later renamed due to Gretsch trademark). Then briefly called 'No-caster' (no name on headstock) before the Telecaster name was chosen. The first mass-produced solid-body electric guitar.

Notable Examples

James Burton, Keith Richards, Bruce Springsteen, and Jimmy Page are all associated with early Telecasters. The 1950 original is the foundation of country, rock, and blues.

Collector's Notes

Three variations: 'Broadcaster' (with name), 'No-caster' (no model name, just Fender), and early 'Telecaster.' Each has different value — Broadcaster commands the highest premium. Documentation and authentication are essential.

How to Authenticate a 1950 Fender Telecaster

The 1950 Telecaster encompasses three distinct variants: 'Broadcaster' (with name on headstock), 'No-caster' (no model name), and early 'Telecaster.' Each variant has different authentication requirements. The Broadcaster name was used briefly before Gretsch's trademark claim. The body is single-piece or two-piece ash with a blonde finish. The one-piece maple neck should show hand-shaped characteristics. Serial numbers on the bridge plate (Telecaster/P-Bass) or tremolo back plate (Stratocaster). Numbers are typically four or five digits with no prefix. Cross-reference the serial with known Fender serial tables for this era — numbers should fall in the range documented for 1950. Because serial numbers were not strictly sequential, the neck date stamp (penciled on the heel) and body date stamp (in the neck pocket or on the body under the pickguard) are more reliable for precise dating. Bridge plate serial numbers are the earliest Fender serial format — typically three or four digits. The bridge pickup sits in the chrome bridge plate with visible polepieces. The neck pickup has a removable metal cover. Check for the correct headstock decal — Broadcaster, blank (No-caster), or early Telecaster. Kluson Deluxe single-line tuners. Pot codes from Stackpole (304) should show 1949-1950 dates. The bridge should have three brass barrel saddles. The finish should be nitrocellulose lacquer. Nitro finishes check (develop fine cracks) and wear naturally over decades, showing wood underneath at contact points. The aging pattern should be consistent — even checking across the body, not localized. Refinished guitars often have a 'too perfect' look or inconsistent wear. Under UV/blacklight, original nitro fluoresces differently than modern polyester or polyurethane. Original custom color finishes are verified by examining the color in the pickup cavities and under the pickguard where it has been protected from light. At this price level, professional authentication is mandatory. Broadcaster and No-caster examples are so rare and valuable that forgeries exist. Check for headstock decal removal and re-application (under UV light, removed decals leave ghost outlines). Verify that the serial number, pot codes, neck date, and body details are all consistent. Any claimed Broadcaster or No-caster without documented provenance should be treated with extreme caution. The 1950 Broadcaster/No-caster/Telecaster differs from 1951-1952 models in the headstock nomenclature evolution and very early production characteristics. Only about 350 instruments were made in 1950. The basic design (ash body, maple neck, two pickups, three-saddle bridge) remained essentially unchanged through the mid-1950s.