1957 Fender Stratocaster
The 1957 Stratocaster — so iconic that it's the basis for Fender's most celebrated reissue series. One-piece maple neck, transitional sunburst finish, three single-coils at their finest. The definitive pre-CBS Strat year.
Current Market Value
* Prices are estimates based on recent market data. Actual value depends on originality, condition, and provenance. Pricing methodology
Thinking About Selling Your 1957 Fender Stratocaster?
We buy directly from owners — no auction fees, no waiting. Get a fair offer based on current market data.
Recent Sales
Showing 10 verified sales for 1957 Fender Stratocaster. Reissues, replicas, and parts listings are filtered out.
Specifications
| Body Wood | Alder (two-piece) |
| Neck Wood | Maple (one-piece) |
| Fingerboard | Maple (integral) |
| Scale Length | 25.500" |
| Frets | 21 |
| Pickup Config | SSS |
| Bridge | Synchronized tremolo |
| Tuners | Kluson Deluxe single-line |
| Nut Width | 1.65" |
| Finish Options | Two-tone Sunburst (transitioning to three-tone), Custom colors |
| Est. Production | 2,700 |
Pickups & Electronics
Three single-coil pickups. Some transitional examples with two-tone vs three-tone sunburst.
What Changed in 1957
The transition from two-tone to three-tone sunburst. The '57 Strat has become the most reproduced Fender vintage model, indicating its status. These guitars represent the Strat at full maturity before the rosewood fingerboard era.
Notable Examples
Stevie Ray Vaughan's 'Number One' is often described as being assembled from mid-1950s Strat components. The '57 Strat is referenced constantly in guitar culture.
Collector's Notes
Custom colors from 1957 are extremely rare and astronomically valuable. Two-tone vs three-tone sunburst transition — check for consistency of original finish. The '57 Strat is heavily faked and modified — expert verification critical above $30K.
How to Authenticate a 1957 Fender Stratocaster
The 1957 Stratocaster is one of the most iconic and heavily replicated vintage guitars. One-piece maple neck with spaghetti logo. The sunburst is transitioning from two-tone to three-tone. The V-shaped neck profile became more common. This is the year Fender's reissue program most often references. Serial numbers on the neck plate (four or five digits, no letter prefix). For 1957, numbers should fall within documented Fender serial ranges. However, neck plates were not assigned sequentially to bodies, so neck date stamps (pencil or ink on the neck heel) and body cavity dates are more reliable. Look for a hand-written date on the butt end of the neck heel and in the neck pocket or under the pickguard on the body. Pot codes should show 56 or 57 date codes. Pickups are hand-wound with staggered Alnico poles and black fiber flatwork. The single-layer pickguard should be 8-screw (changed from the earlier configuration). Tremolo springs and claw should be original. Check the tremolo cavity for a date stamp. Kluson Deluxe single-line tuners with oval housings. Cloth push-back wiring. The finish should be nitrocellulose lacquer. Nitro finishes check (develop fine cracks) and wear naturally over decades, showing wood underneath at contact points. The aging pattern should be consistent — even checking across the body, not localized. Refinished guitars often have a 'too perfect' look or inconsistent wear. Under UV/blacklight, original nitro fluoresces differently than modern polyester or polyurethane. Original custom color finishes are verified by examining the color in the pickup cavities and under the pickguard where it has been protected from light. The 1957 Strat is one of the most commonly faked and 'parts-built' vintage Fenders. Reissue necks (especially Japanese and American Vintage Reissue) are frequently passed off as original. Look for CNC router marks in the neck pocket (originals are hand-routed with slightly irregular edges). Check under the pickguard for original routing — aftermarket modifications are common. Above $30,000, professional authentication is essential. The 1957 differs from 1956 in the sunburst transition (two-tone to three-tone) and from 1958 in that 1958 was the last full year of one-piece maple necks before the rosewood fingerboard was introduced in mid-1959. The V-profile neck is more pronounced in 1957 than in surrounding years.